In this way, because it would not be nearly as noticeable in 1940 as it is today, this time-enhanced effect of the black and white film stock has allowed for the film's impact to actually grow with time. If he were to remain, he would essentially cease to exist, much like Muley Graves. Some truckers at the coffee shop see this interchange and leave Mae an extra-large tip. Tom and Al do find the necessary part to fix the car at a junkyard. Rose of Sharon gives birth to a stillborn child, and Ma, desperate to get her family to safety from the floods, leads them to a dry barn not far away.
They also continue with their preparations, killing their pigs so that they will have food to take with them. She offers her breast to the frightened man. Meanwhile, a woman comes to the tent and wants to have a prayer meeting to send a sick Granma to a peaceful death; Ma makes the woman leave. Chapter Eleven: The houses have been left vacant. On the third day, the Wilsons' car breaks down. Police officers arrive and announce their intention to burn the Hooverville to the ground. The agreement between the Joads and the Wilsons to aid each other on the way to California is a significant plot development, for it is in collective action that these families find their strength.
The Joads sneak Tom out of the peach camp nestled between two mattresses. Yet it is at this moment Chapter 30 that the family manages to rise above hardship to perform an act of unsurpassed kindness and generosity for the starving man, showing that the Joads have not lost their sense of the value of human life. At the next camp where the Joads stay in their search for work, they learn about Weedpatch, a government camp where the residents are spared harassment by police officers and have access to amenities such as baths and toilets. The death of the dog is followed by the death of an actual family member. While is the main character in , Ma Joad is the story's moral center, reminding everyone that they have greater concerns than just their own interests. Steinbeck then provides a description of the tactics that car dealers use to exploit impoverished customers. Uncle John leaves to get drunk, Noah decides to leave society altogether and live alone in the woodlands, and Connie abandons his pregnant wife.
After their drought-ridden farm is seized by the bank, the family -- led by just-paroled son Tom -- loads up a truck and heads West. The Wilsons let Grampa take a nap in their tent, because he's acting strangely. The next morning, Tom and Casy walk to Uncle John Joad's house. Yet when the tractors are at rest the life goes out of them. A government-run camp proves much more hospitable to the Joads, and the family soon finds many friends and a bit of work.
The waters continue to rise until they flood the boxcars. In a show of solidarity, the Wilsons help the Joads to bury Grampa. Grampa complains of illness and weeps, causing the rest of the family to fear that he will suffer a stroke. The Joads and Wilsons continue on through the Texas panhandle. They head north toward the government camp.
Chapter Thirteen: The Joads continue on their travels. Lots of hootin' and hollerin' occur when the Joad's realize that their boy has come home at last. Saturday morning, the camp prepares for the dance. The storms are severe enough to block out the sunlight, leaving crops destroyed. In this image, Steinbeck powerfully dramatizes the desperate plight of Depression-era migrant workers, whom the author felt had been abandoned by society. When the argument turns violent, Jim Casy knocks the sheriff unconscious and is arrested. As Tom and Casy talk, two men approach.
Steinbeck follows this exchange with an interlude describing a turtle crossing the road, which serves as a metaphor for the struggles of the working class. Grampa dies soon after of a stroke, and the men bury him in a really deep grave. The people stream out onto Highway 66, risking the breakdown of their undependable cars on the way. As long as people maintain a sense of injustice—a sense of anger against those who seek to undercut their pride in themselves—they will never lose their dignity. Tom, Casy, and Muley dive into the cornfields when they see a car approach their campfire. Ma and Tom say goodbye to one another. Steinbeck ends the novel with Rose of Sharon, barely recovered from the delivery, breastfeeding the dying man to nurse him back to health.
The men hear footsteps and realize that they are being pursued. But even when confronted with a dire situation, the Joads are nevertheless better off than some travelers; at the very least, the Joads are able to pay for gas. Henry Fonda plays the part of Tom Joad, a young member of the family who is released from prison at the beginning of the film, only to find that his family has been driven from their home and is staying at his uncle's house until they can figure out what to do about their sudden homelessness. The Joads plan to go to California on account of flyers advertising work in the California fields. Rose of Sharon and Ma exchange glances, and Rose of Sharon asks to be alone with the stranger. Ma Joad spends the majority of the film stressing the importance of keeping the family together, seeing it as the only thing that they really had left, but this is eventually set aside in favor of each member of the family not only surviving but also flourishing, which provides for one of the many powerful messages that the film delivers. The men return from an unsuccessful job hunt.
Emerging from the crowd, Casy kicks Joe in the neck and renders him unconscious. Despite these reservations, Casy asks to accompany the Joads to California. He's making his way home to by hitchhiking his way there. Arrival in California does not necessarily mean that the Joads' problems will be solved or that they will be in even a marginally better situation than faced them in Oklahoma. The Joads leave at 4 p.
Dilapidated cars and trucks, loaded down with scrappy possessions, clog Highway 66: it seems the entire country is in flight to the Promised Land of California. They are assigned a small cabin and begin work that afternoon. It doesn't take long for Tom and Al to fix the car, and they catch up with their family at a campsite whose owner charges people fifty cents a day to camp there. Mobile App We've got an app, with versions for iPhone, iPod and finally! Themes Themes are the fundamental and often universal ideas explored in a literary work. In another case of attachment to the land, Grampa refuses to leave; the other Joads decide to give him medicine that knocks him out and manage to take him with them.